Orchestral

2011
Generator : 1.(a.fl. + picc.) 1.(cor.) 1. 1.(contra.) - 1.1.1.1, perc, hp., str.: 1.1.1.1.1. - 10’

Composed as part of the West Australian Symphony Orchestra’s composition program.

Ambition : 2.(II=a.fl. + picc.). 2(II=cor.) 2.2. - 4.3.3.1. timp. + 3 perc., pno., hp., str. - 5’

Composed as part of the 2012 AYO National Music Camp.

2012

Cyclic : 1.(a.fl. + picc.)1.(cor.), 1, 1.(contra.) - 1.1.1.1. timp. + perc., pno., hp., str.: 1.1.1.1.1. - 11’

Composed as part of the 2012 AYO National Music Camp.

2013

The Ecstatic: 2.(II=a.fl. + picc.), 2(II=cor.) 2.2. - 2.2.2.1. timp. + 2 perc., solo vla., str. - 11’ -

Commissioned by the West Australian Symphony Orchestra. Premiered as part of WASO’s Latitude New Music Festival.

Orchestral arrangements

2015

Parking Lots by Josh Pyke: 2.2.2.2 - 4.2.2.1 timp. +2 perc., str. - 4’

for the Sydney Symphony Orchestra:

2016

Lionsong and Pneumonia by Björk: fl., ob., hrn., perc., str. - 12’

for the Perth Chamber Orchestra

2018

Smoke and Older than You by Eskimo Joe: 1.(picc.)1.1.1. 2.2.2.1 Timp.+2 perc. hp., pno. str. - 8’

for the West Australian Symphony Orchestra

Gangster’s Paradise and Bridge Over Troubled Water: 1perc., bass guitar, str. - 6’

for the Perth Symphony Orchestra

Ziggy Stardust and Life on Mars? by David Bowie: 1.0.1.0 0.1.1.0 drums, bass guitar, voice, pno., str.

for the Perth Symphony Orchestra

Sounds of the Reef by Thea Rossen, arranged : 2(II=picc.+a.fl.).2(II=cor.).2(II=b.cl.)2. 2.2.1.1. 2 perc. pno. str. - 5’

for the Melbourne Symphony Orchestra

Chamber

2010

Clarity for clarinet and piano - 8’

2011

Two Bitonal Pieces for violin and piano - 3’

Sonata for Trombone for trombone and piano - 13’

a short piece for clarinet for clarinet and piano - 1’30”

Sinfonietta for String Orchestra for string orchestra - 15’

2012

Atomicus for clarinet and two percussionists - 9’

Chorale for brass septet (2, 2, 2, 1) and vibraphone - 3’

Chagudai for clarinet and ‘cello - 4’ - 2012.

Commissioned by the University of Western Australia for the Centenary of the University. Premiered during the Perth International Arts Festival at ‘LUMINOUSnight’.

2013

Three Sketches for flute (doubling a.fl.), oboe (doubling c.a.), violin and ‘cello - 8‘ - 2013.

Composed as part of the ‘Voix Nouvelles’ composition course at Royaumont Abbey, France.

The Properties of Architecture for two timpani (on stage and off stage) - 10’

in an instant, at once for trombone and string quintet (1.1.1.1.1.) - 5’

Three Pieces for Percussion, Ondes Martenot and Strings for percussion, Ondes Martenot and 15 solo string parts (6.3.3.2) - 7’

2017

Pulses, Abeyance and Rapture for String Quintet (1.1.1.1.1.), - 8’

2018

Sometimes Knowing is Not Enough for Soprano, String Quintet (1.1.1.1.1.), Clarinet (doubling B. Cl.) and Two Percussionists - 28’. Co-composed with Thea Rossen.

Premiered as part of the Melbourne Recital Centre’s 2018 Metropolis Festival.

2019

Murmurs and Conversations for four horns and strings (4.4.4.3.1), - 13’

First performance at the Australian National Academy of Music, by musicians of the Academy.

2020

Reflection #1 for eight violas - 1.5’

The Old Wool Road for soprano and horn - 6’. Text by Jonathan Hill.

Commissioned by Tim Hannah for Alison McIntosh-Deszcz, founding members of Ensemble Goldentree

Solo

2011

Ebb and Flow for ‘cello - 12’

2012

Ten Miniatures for Piano - 17’

2015

In Suspension for Viola and Piano - 6’.

Commissioned by the Royal Over-Seas League. Premiered at St. James’s Church Piccadilly, London.

2017

Name for Soprano and Piano - 3’

Commissioned by Canadian Soprano, Alexandra Smither. First performance at the Banff Centre for Creative Arts, Canada.

2020

A Simple Song for Complex Times - 3’